Sunday, May 17, 2009
Wednesday, May 13, 2009
The Resophonics
Tuesday, May 12, 2009
Put On Your PJ's and Pour a Bowl of Captain Crunch
Punkin Puss
Magilla Gorilla
The Impossibles
The Jetsons
Frankenstein Jr.
The Herculoids
Dino Boy
Space Ghost
Marine Boy (the only one I don't remember)
The Flintstones
Augie Dogie
Snooper and Blabber
Quick Draw McGraw & Baba Looey
The Porky Pig Show
Winsome Witch
Squiddley Diddly
Secret Squirrel and Morocco Mole
Yippee, Yappee and Yahooey
Breezly and Sneezly
Peter Potamus and So-So
Hillbilly Bears
Precious Pupp
Atom Ant
Top Cat
Monday, May 11, 2009
How to Draw Stupid
Doing stuff wrong is how you learn to do it right.
Cartoons are all about using exaggeration in the service of communication.
It’s the characters personalities that people respond to.
The body is composed of three basic sections, head, rib-cage and pelvis. You should have all the sections oppose each other.
Two priorities in cartoon design: emotion and clarity.
In cartoons the eyes are where the characters live.
A good cartoon character should be easy for everyone to draw (i.e., Peanuts, Sponge Bob).
Simplify by eliminating details and also by exaggerating contrasts.
Leave nothing in the art that is not story information.
Streamline designs for clarity and easy repetition.
Every element of the cartoon should communicate.
Not using reference pictures is lazy.
Characters are defined by what they do.
People respond to characters not dialogue.
The purpose of entertainment is to manipulate emotions.
Antics are the moves that precede and anticipate a bigger move that follows. Antic is short for anticipation.
Avoid the “Hand of Death.” Most people don’t stand around talking with their hand just held out or floating in space. Have the characters hand doing something.
Stupid people are safe to ridicule, because they always think you are talking about someone else.
The eyes show what a character is thinking.
If you are drawing a strip with a stupid character, show the character thinking before doing something stupid. It makes them seem even more stupider.
Try to generate at least two conflicting emotions. Funny with a sad ending-romance with comedy-excitement with fear-depression with uplift.
Have your characters display a specific emotion state that’s specific to the situation and is played in character.
"How to Draw Stupid" is a great book packed with helpful tips for the cartoonist. If you are interested in drawing comics or cartoons you should definitely pick it up.
Monday, April 6, 2009
Drawing Monsters
Sunday, March 29, 2009
Sunday, March 15, 2009
Monday, March 9, 2009
Assignment For The Last Class
Now without further ado here is my comic strip. You kind of had to see Goodfellas to get it.
Monday, March 2, 2009
This Week's Cartooning Class Assignment
Monday, February 23, 2009
Play Me Some Art Supplies
I ordered a mess of Faber Castell Pitt artist pens with various nib sizes.
I also ordered a bunch of non-photo blue pencils. These are great because when you photocopy your inked drawing, the pencil lines don't show up which saves you from having to erase all of your sketching.
I ordered this neat spinney thing to hold all of the pens and pencils.
Speaking of cartooning, here are a couple of more drawings I've done for my class. This one I did of my instructor giving us some advice.

This one is an exercise showing motion. Not sure what he is running to or from, but whatever it is, he's in a hurry.




