Showing posts with label cartooning. Show all posts
Showing posts with label cartooning. Show all posts

Thursday, December 27, 2012

Still Plenty of Time to Enter the Young Cartoonist Contest!

Don't forget that there is still plenty of time left for kids ages 13 to 16 to enter the David Wasting Paper Young Cartoonist Contest. The contest is free to enter and there are over $600 in prizes!


Click here for entry instructions and full list of prizes.

Thursday, March 8, 2012

Frank Scicchitano - Cartoonist Survey #260







Frank Scicchitano is a New York based illustrator and designer. His love of drawing and painting began as a small child and continues to this day. Fortunate to have very encouraging parents, he was introduced to the comic art of Jack Davis and Bruce Stark by his dad. After discovering Walt Disney through Preston Blair’s book “Cartoon Animation”, he soon began studying the work of Disney’s “Nine Old Men.”


When Frank was seventeen he met painter, teacher and former Norman Rockwell student, Harold Ransom Stevenson. Mr. Stevenson ran the Stevenson Academy out of his home in Sea Cliff, Long Island. Under Stevenson’s tutelage Frank was taught values painting (light to dark to reflected light to cast shadow) and the Munsell color system. Stevenson also instilled in him and all of his students the importance of constant study and practice. Frank followed that advice by studying both painting and drawing at the Arts Student League of New York.


Frank has been working professionally in art for almost thirty years. Throughout that time he has done layout work and story boarding for art studios and ad agencies; created artwork, cartoons and humorous illustrations for book jackets, magazines and children’s books; and painted sports and celebrity portraits. His sports figure paintings have been used by all of the major sports card companies including Topps, Donruss and Upper Deck. He even has a painting he did of one of my favorite sports legends, Ted Williams, which is housed at the Baseball Hall of Fame.


Copyright Upper Deck Co.

Lately Frank’s focus has been on humorous illustration and cartooning. He recently illustrated Lynn Hefele’s children book, ‘Ziny’s Driving School’ which you can read more about here. Be sure to set aside some time to visit Frank’s Tano Studio website, where you can see many more examples of his work and learn more about his creative method.


What is your favorite pen to use?
I use black ball points to rough out my work, followed by poster white until I find the forms I'm looking for. Then I usually use a brush for the line work in the finish. A Winsor & Newton #3 or 4.


Do you draw in pencil first and if so do you use a standard pencil or a mechanical one?
I rarely use pencils until the finish, they smudge too much, and when I do, they are all mechanical. A great one, given to me by a student, is a Kuru Toga, from Japan.

Do you do your coloring by hand or on the computer?
I do all my work by hand. I really enjoy the tactile sense of drawing and painting.

If you do your coloring by hand, what do you use?
I use a lot of different water media, starting with light washes, followed up by designers gouache and inks when I need to add chroma and correct mistakes. I'm always trying to get back to where I started as a youngster, using purely transparent colors. Winsor and Newton pans or Dr. Martin's Transparent WC, but I also like painting with gouache. Holbein and WN are what I mostly use, when I do. I also love magic markers and wonder what took so long to develop the Copic Wide. All my work in gray is done with those beauties.


What type of paper do you use?
Mostly cold pressed Bainbridge 80 for finishes and Ingres Gray pads for my roughs.

What thing(s) do you hate to draw?
Things that involve straight lines.

Do you buy your supplies from big chain art store catalogues/websites or a local one that you physically go to?
Both. Pearl Paint downtown or the Utrecht store by my apartment. When I order a lot of stuff, I usually use Jerry's or ASW. I think they are the same place.


Are there any rituals that you do before starting to draw?
Yup, take a deep breath, crank up REO Speedwagon's 'Roll With The Changes' and 'just do it'.



Do you listen to music while you draw and if so what genre?
A mix of a lot of things, like 3rd Force, Tom Grant, Dave Mason, Kevin Toney, and Pat Matheny. A lot of sweet guitars and pianos.

Did you read comics as a kid and if so what was your favorite?
Superman and Batman a little, but I did love Hal Foster's 'Prince Valiant' because my dad loved it. My all time favorite was MAD magazine, not too sure that's a comic book.

What is or was your favorite comic strip?
Wizard of Id and BC.

What was your favorite book as a child and do you still own a copy of it?
'Stone Soup', and no, though I wish I did.


Did you have any formal art training and if so where did you receive it?
Not really in the sense of 'formal' like an art college, but I did have a great teacher when I was young for several years and have spent much time with some wonderful instructors at the Art Students League, a very cool place.

Do you feel that the Internet is a blessing or a curse?
Though I don't use a computer for my work, I have seen many students use it effectively. It is indeed, a blessing. For someone like me, the capacity to reach millions is truly a remarkable experience.


Did either of your parents draw?
My dad loved to draw and left great cartoons on my desk, and my mom, who is very creative, used to encourage me and fuel my imagination with dinosaurs. They were both a big part of my childhood.


Who in your life is/was the most supportive of your art?
I've been very fortunate. My whole family has always been very supportive. My parents always encouraged me as have both my sisters. In fact, my older sister used to take my work around and got me my first print jobs and my little sister, to this day, is still my biggest fan. I'm very fortunate.

Do you keep a sketchbook?
Yes, it's the most fun part of my work.



Have you ever taught cartooning/drawing and if so did you enjoy the experience?
When I was in school, a girlfriend had a sister that set up guest speakers for the local high school, and she asked me to participate in a cartoon class lecture. I loved it, though at the end, only one or two boys stayed to ask questions. I love teaching young people and try to do it as often as I can.


Do you feel that talent or passion is more important in drawing?
My teacher, a wonderful man and a great painter, never really believed in talent. Nor do I. I would say passion for anything is a great start, and definitely more important than innate talent.


Copyright Upper Deck Co.

Do you collect anything and if so what?
I used to collect coins and stamps with my dad, a great period of my childhood, and now I collect trading cards because of my work. I also love collecting some of America's greatest illustrators.

If you were an animated cartoon character who do you think you would be?
Bugs Bunny.

Are you a righty or lefty?
Sadly, I'm a 'righty'.

If you weren't an artist what would you want to do for work?
A paleontologist. To know animals like this once roamed the earth is still so mind boggling. I really do love dinosaurs.


In one or two sentences describe your drawing area.
Felix Unger takes care of my studio, and Oscar Madison takes care of all the rest! :)

Do you play any musical instruments?
No. But I really love a great guitar.

If you could give one piece of advice to someone who wants to pursue drawing as a career what would it be?
To study hard and be persistent, nothing takes the place of constant practice. And I'd give them the link to Creative Illustration by Andrew Loomis.

Who is your favorite artist?
My ALL TIME favorite cartoonist would be Jack Davis. I think he's the greatest!


Thank you very much for taking the time to participate Frank!

Friday, January 13, 2012

Issue #18 of Hogan's Alley magazine out now!

Yesterday, after a grueling day at work, I came home to find the latest issue (#18) of Hogan’s Alley magazine waiting for me in my mailbox. This is a great magazine, chock full of cartooning goodness that is well worth every penny of its $6.95 cover price. If you are a fan of the cartoon arts and you aren’t subscribed to Hogan’s Alley, now is the time to do it. Click here to subscribe now. There are also some really cool vintage cartooning, pop culture, and comics-related ephemera for sale here at the Hogan’s Alley Zazzle store.




In addition to Hogan’s Alley, you should also subscribe to John Read’s wonderful Stay Tooned! Magazine. Profiling professional artists from all of the major fields of cartooning, Stay Tooned! is a must read for anyone interested in cartooning.



Tuesday, October 25, 2011

Monte Wolverton - Cartoonist Survey #245





Monte Wolverton is an editorial cartoonist and fine artist who was born in 1948 in Vancouver, Washington. Being the son of legendary cartoonist Basil Wolverton, it wasn’t a surprise that he began drawing early in life. His dad actually built him a drawing board when he was only 7 years old. Monte graduated from Hudson’s Bay High School in 1966 and then moved to California to attend the now-defunct Ambassador College in Pasadena. After graduating from Ambassador College, he studied at the Art Center College of Design in Los Angeles and worked as a freelance illustrator, cartoonist and graphic designer. His first cartoons and comics where published in the magazines, CAR-toons, Creative Computing, Youth and CB Radio.



He moved back to Vancouver in the mid-70s and started Monte Wolverton Associates, an advertising and design business whose clients included the U.S. Forest Service, Peterson Publishing, First Independent Bank and others. He was recruited by the Worldwide Church of God to become design director for Plain Truth so in 1985 he relocated to Pasadena, CA. Monte was in charge of leading a group of over 20 illustrators and photographers in producing three magazines, promotional materials and other publications. In 1994 he earned an interdisciplinary Master’s degree in management and creativity studies from Goddard College in Vermont.



In 1994 he had his first humorous illustration in MAD Magazine and he soon became a regular contributor. Around the same time Monte started drawing political cartoons and posting them on his Wolvertoons website. A few small weekly newspapers began running his political cartoons and in the late 90s, his friend Daryl Cagle asked him to join his new syndicate, Cagle Cartoons. Monte became one of the most widely syndicated editorial cartoonists in the world with his cartoons appearing in over 850 newspapers worldwide.

Recently, he has also been creating fine art. These colorful works, primarily acrylic on canvas, are described by Monte as “neo-psychedelic” or “neo-surrealist.” He states that, "I try to create works that are at once fun, entertaining and mind-expanding – works that draw the viewer into a vortex of shape, color and texture.”


He and his wife Kayte moved to Battle Ground, WA last year with their two American Rat Terriers, Meg and Kirby, to be closer to their family. Speaking of American Rat Terriers, Monte is the president of the Rat Terrier Club of America. He is also a member of the National Cartoonists Society and the Association of American Editorial Cartoonists. Visit his Wolvertoons website and also his fine art website that features music for each piece of art created by San Francisco composer Clasher Von Sin. You should also checkout the archives of his political cartoons at Cagle Cartoons.



What is your favorite pen to use?

Tombow Zoom.

Do you draw in pencil first and if so do you use a standard pencil or a mechanical one?

My roughs are in pen or pencil -- whatever I can find at the time.

Do you do your coloring by hand or on the computer?

Depends. My editorial cartoons are colored in Photoshop. Other illustrations may be by hand.



If you do your coloring by hand, what do you use?

Watercolor or acrylic paints. Sometimes airbrush.

What type of paper do you use?

For cartoons I prefer Strathmore Vellum Bristol 500 series -- or 400. Altho nowadays I do most of my editorial cartoons on tracing paper.

What thing(s) do you hate to draw?

Can't think of anything I HATE to draw.

Do you buy your supplies from big chain art store catalogues/websites or a local one that you physically go to?

Either online or Utrecht Art Supplies locally.

Are there any rituals that you do before starting to draw?

Not really. Find a pen and some paper?

Do you listen to music while you draw and if so what genre?

Audio books. Jazz. Bach. TV (Big Bang Theory, 2.5 Men, Burns and Allen).

Did you read comics as a kid and if so what was your favorite?

MAD magazine (was a comic book then). Weird Tales of the Future. Any horror/sf. Tom Terrific.

What is or was your favorite comic strip?

Right now? Cul de Sac. Or maybe Pearls Before Swine. Or maybe Mother Goose and Grimm. Can't think of any comic strip that I don't like/haven't liked. Even the lame ones are funny because they're lame, in the same way that Ed Wood was one of the best directors ever.



What was your favorite book as a child and do you still own a copy of it?

“They Knew Too Much About Flying Saucers”, by Gray Barker. It's still on my shelf along with just about any other book I have ever owned. And any book my parents and grandparents ever owned.



Did you have any formal art training and if so where did you receive it?

Art Center College of Design -- Pasadena (altho it was in Los Angeles at the time).

Do you feel that the Internet is a blessing or a curse?

Blessing! But nearly anything can become a curse.

Did either of your parents draw?

My dad.



Who in your life is/was the most supportive of your art?

My dad. Now, my wife and daughter.

Do you keep a sketchbook?

Sometimes I have. Not right now. I sketch things on scraps of paper, scan them in and save them for future use. So, yeah, I have sort of an electronic sketchbook.

Have you ever taught cartooning/drawing and if so did you enjoy the experience?

Yes. Taught elementary-age kids drawing and cartooning -- and taught art history as part of a high school art class. Yeah -- it was fun. Especially as some of them have become pros -- or at least highly creative.

Do you feel that talent or passion is more important in drawing?

Both equally important. Even if drawing is a problem -- one's passion can drive one to establish a style. But to make the style consistent, one must develop some kind of drafting technique.

Do you collect anything and if so what?

Have a very small collection of comic art, including some of my father's work. Have kept family antiques, books, ephemera.

If you were an animated cartoon character who do you think you would be?

Ren Hoek. Or Stimpy. Depends on the day.



Are you a righty or lefty?

Politically lefty. Dexterously righty.



If you weren't an artist what would you want to do for work?

Musician. Writer.

In one or two sentences describe your drawing area.

Otherwise spacious studio crammed with bookshelves, paintings, Stratocasters, two dogs, Macs, audio equipment, old reel-to-reel tape deck, TV, drawing boards piled with stuff, strange sculpture and three paintings in progress on work table, chairs from studios of Basil Wolverton and Carl Barks. View of woods.



Photo credit: Steven Lane

Do you play any musical instruments?

Guitar. I have a keyboard, a vintage-spec Strat, a twelve-string Strat, a classical guitar and a horrible old bass that I got from a pawn shop. I play old Byrds songs, mostly.

If you could give one piece of advice to someone who wants to pursue drawing as a career what would it be?

Have another (possibly related) profession to keep you going -- and then don't give up. Be original. Doggedly pursue your own vision. The world has too many knock-offs.



Who is your favorite artist?

That's hard. James Ensor, Salvador Dali, Edouard Monet, my dad, Hieronymus Bosch, Wally Wood . . .there's so many . . . Chester Gould . . .


Thanks again for your time Monte!

Tuesday, July 5, 2011

The Comic Archive

While surfing the net (translation - not doing what I should be doing) I came across a great website called The Comic Archive. It is run by Michael Furth who says his goal with The Comic Archive is to, "document how comics are made by talking to the people who make them and getting that on video to share with everyone I can." I highly recommend you set aside some time and check this website out. Below is one of Michael's videos with Emmy Award-winning artist Dean Haspiel showing off his workspace.

Tuesday, June 21, 2011

Landon School of Illustration and Cartooning

Here's a video I came across about Charles N. Landon, the founder of the Landon School of Illustration and Cartooning.



I have a bunch of correspondence course books including "Cartooning for Profit by David Rand" and the "Cartoonists Exchange Presents...Paul Robinson's Post Graduate Course".


They are a little outdated, but there is still a lot of valuable information in them. You can usually find them pretty cheap on eBay. If you are interested in these type of courses, especially their history, you should purchase this upcoming book from Rick Marshal titled, "Mail Order Geniuses".


Speaking of how-to cartooning books, Mike Lynch over at Mike Lynch Cartoons is offering his own cartooning books. Mike's books have been so popular that they sold out and have had to be reprinted. He is now offering them as a set which includes an original sketch for only $7.00. That's cheap! Go here to purchase them.

Tom Richmond, caricaturist and illustrator extraordinaire has a book coming out next month called "The Mad Art of Caricature: A Serious Guide to Drawing Funny Faces". I've been looking forward to this book for some time now and it looks like it will be ready to order on July 21st. Go check out Tom's blog to see a preview of the cover.



Thursday, May 5, 2011

Jorge Pacheco - Cartoonist Survey #223




Born in May of 1964, cartoonist, comic book artist, and illustrator Jorge Pacheco has been drawing since the age of 2. He is a graduate of the Joe Kubert School of Cartoon and Graphic Arts and has been drawing professionally for 25 years. He has worked on some of the most famous characters including Space Ghost, Bullwinkle, Underdog, Johnny Quest, Garfield, Scooby Doo, The Flintstones, Power Puff Girls and Bugs Bunny. His client list contains many of the leading cartoon and comic book publishing companies such as Dark Horse, DC, Hanna Barbera, Cracked magazine, Archie, Warner Brothers and Harvey Entertainment where he worked with my friend Bill White (Cartoonist Survey #1). Jorge has also illustrated many children’s books and was the artist for the syndicated comic strip, CEO DAD. He lives in La Mesa, CA with his wife Sabine and their son J.J. See more of Jorge’s work over at his Pachecotoons website.

What is your favorite pen to use?

I don't use a pen as much as a brush. I use a Winsor Newton series 7 #2. I do use Micron pens for straight lines and some detail work.

Do you draw in pencil first and if so do you use a standard pencil or a mechanical one?

Standard Staedtler Mars HB.

Do you do your coloring by hand or on the computer?

Both. Watercolor, acrylics, dyes, colored pencils, gouache, and whatever is handy. But probably 80% by computer.

What type of paper do you use?

Strathmore Bristol smooth 11x17.

What thing(s) do you hate to draw?

No such thing, but I used to hate drawing cars, but now I'd love to do an illustration a la "Big Daddy Roth."

Do you buy your supplies from big chain art store catalogues/websites or a local one that you physically go to?

Dick Blick's Art Supply Store, both on-line and physically at the store in San Diego.

Are there any rituals that you do before starting to draw?

Yes, I try to entertain my 3 1/2 year old son, so I can find a few minutes to get work done. I'm a work-from-home daddy. I work crazy hours: early, late, weekends.

Do you listen to music while you draw and if so what genre?

I listen to lots of talk radio, but I also listen "New Wave 80's rock" REM, The Smiths are my two favorites, but I enjoy all music, except RAP :(

Did you read comics as a kid and if so what was your favorite?

YES! Quick story on how I got into it: My step-father owned a liquor/convenience store and he brought home damaged comics and magazines. The first comic I read was Jack Kirby's Fin-Fang-Foom comic with Steve Ditko and a Superman comic by Curt Swan also Creepy, Eerie, Vampirella. My favorite was Richard Corben. He's still doing incredible work.

What is or was your favorite comic strip?

That's a hard one. So many genres. I love Prince Valiant by Hal Foster, just beautiful work. Krazy Kat, but modern day, of course, Peanuts. I think Charles Schulz was the greatest cartoonist ever. Jack Kirby for comics.

What was your favorite book as a child and do you still own a copy of it?

Unfortunately, I lost over 3,000 comics in the fire of 2003 in San Diego, but yes, the Jack Kirby Fin-Fang-Foom. Now when I have a few extra $$$s, I buy graphic novels or collections of my past favorites.

Did you have any formal art training and if so where did you receive it?

The Joe Kubert School of Cartoon and Graphics

Do you feel that the Internet is a blessing or a curse?

BLESSING!!! Most of my work I receive is through the Internet. I just did a handful of illustrations for a guy in Singapore, a children's book for a client on the Bahamas, and book illustrations for someone in Australia.

Did either of your parents draw?

YES! My father was Professor of Art at Purdue University before he passed away. I never really knew him, but it's funny that I became an artist. My mother was an Art Minor in college.

Who in your life is/was the most supportive of your art?

Definitely my wife Sabine!! She not only has always been there for me through financial struggles, but she also encourages me to continue my dream of being an artist, and, of course, she has always been my biggest fan. :)

Do you keep a sketchbook?

I've never been a real "sketcher", but I wish I would find time to sketch.

Have you ever taught cartooning/drawing and if so did you enjoy the experience?

Yes. At UCLA - I taught a basic cartooning class and also a couple elementary school classes/kids 6-10 years old, and I really enjoyed it!

Do you feel that talent or passion is more important in drawing?

Passion without a doubt. It can be such a tough road that without the passion I could have never kept it going, but needless to say there has to be talent mixed in.

Do you collect anything and if so what?

I still buy comics/graphic novels when I'm not buying diapers. :)

If you were an animated cartoon character who do you think you would be?

Popeye, but maybe a little Speed Racer also. (Even though I neve speed but I do eat spinach)

Are you a righty or lefty?

Righty

If you weren't an artist what would you want to do for work?

Professional Tennis player.

In one or two sentences describe your drawing area.

We currently live in a small cottage in La Mesa - unfortunately, I have to spread out a bit - my light/drawing table is in the bedroom and my computer/work station/wacom tablet are in the living room. Hoping to "upgrade" soon and have my own studio again.

Do you play any musical instruments?

Wish I did, especially guitar.

If you could give one piece of advice to someone who wants to pursue drawing as a career what would it be?

Never give up!

Who is your favorite artist?

Very tough question: Here is a brief list: Jack Kirby, Chris Bachalo, Hal Foster, Richard Corben, John Romita JR., Charles Schulz, John Buscema, Milton Caniff, Alex Toth, Jaime Hernandez, Jordi Bernet, John Byrne, Thomas Yeates, but there are so many more, but if I have to name one, it would be Vincet Van Gogh, go figure!

Thanks again for your time Jorge!

Sunday, May 1, 2011

Eric Orchard - Cartoonist Survey #222






Award winning illustrator and cartoonist Eric Orchard grew up in Halifax, Nova Scotia. He started on the path to becoming a professional artist in grade school where he began illustrating stories. He studied painting and art history at the Nova Scotia College of Art and Design and graduated with a BFA. Eric has illustrated three children’s books. His first, “A Forest for Christmas” was published in September of 2007. The second and third, “Anything but Hank” and “The Terrible, Horrible Smelly Pirate” were published a year later. In 2010 his work was showcased at The Society of Illustrators annual exhibit. The same year he was awarded silver in the comics category of The Spectrum Awards, and his work was featured in Spectrum 17: The Best of Contemporary Fantastic Art. Eric's winning page for the Spectrum Awards comes from his mini-comic The Cloud Cave, which he is currently expanding and adapting into a full-length graphic novel, “Maddy Kettle (Book 1): The Adventures of the Thimblewitch.” Top Shelf Productions will be releasing “Maddy Kettle” in the near future.

Robot Museum is another comic project Eric has been working on and it is science fiction themed and filled with monsters and robots. He has been working on Robot Museum for the last five years and plans to self-publish it in a series of three or four books. Some of his clients include Scholastic, Discovery Channel, Raincoat Books, Orca Books, Tor Books, Nimbus Publishing and Five Rivers Publishing. Eric lives with his wife Julie and their son Henry in Halifax, Nova Scotia. Visit both his website and his blog to see much more of his work and you can purchase some of his mini-comics here.

What is your favorite pen to use?

I use a Pigma Micron marker pen by Sakura mostly, because it's convenient and holds up really well over time. But my favorite pen is probably a Hunt 102 nib dip pen.

Do you draw in pencil first and if so do you use a standard pencil or a mechanical one?

I do draw in pencil first. I use a Staedtler standard pencil, 2B.

Do you do your coloring by hand or on the computer?

I go back and forth although I’m colouring by computer more and more

If you do your coloring by hand, what do you use?

When I colour by hand I use Winsor Newton watercolours and gouache.

What type of paper do you use?

I use a variety of papers. I like a 4 ply Strathmore paper for most stuff but if I’m going to paint I'll use Arches hot press watercolour paper 140 pounds.

What thing(s) do you hate to draw?

Bicycles.

Do you buy your supplies from big chain art store catalogues/websites or a local one that you physically go to?

A local shop. I almost always find something I need not on my list.

Are there any rituals that you do before starting to draw?

Not really, I just jump right in.

Do you listen to music while you draw and if so what genre?

I like to have on very quiet Classical music, Bach or some late romantic stuff.

Did you read comics as a kid and if so what was your favorite?

I did. I loved all sorts of comics. Marvel's Star Wars, Omega Men, Bloom County, Peanuts, Atari Force, Carl Barks, EC horror reprints, Tintin, Amethyst, Rocket Raccoon, Claremont's X-Men and a number of Marvel and DC superhero comics.

What is or was your favorite comic strip?

Krazy Kat.

What was your favorite book as a child and do you still own a copy of it?

Probably “The Celery Stalks at Midnight” by James Howe and yes, I still have a copy

Did you have any formal art training and if so where did you receive it?

I started art lessons in junior high with a police portrait artist and later received a Bachelors in Fine Arts from the Nova Scotia College of Art and Design.

Do you feel that the Internet is a blessing or a curse?

Both! It allows me to reach more people but at the same time it's becoming a form of entertainment that takes eyes away from creators.

Did either of your parents draw?

I never met my father but according to my mother he drew all the time.

Who in your life is/was the most supportive of your art?

My mother and now my wife as well.

Do you keep a sketchbook?

Yes, I go through about one a month. Very important part of my process.

Have you ever taught cartooning/drawing and if so did you enjoy the experience?

I taught art at the high school level for two years and found it both fun and stressful. More stressful.

Do you feel that talent or passion is more important in drawing?

Passion will carry you farther, I think.

Do you collect anything and if so what?

Books, mostly books with pictures; comics, picture books, illustrated books etc.

If you were an animated cartoon character who do you think you would be?

The Iron Giant

Are you a righty or lefty?

Righty.

If you weren't an artist what would you want to do for work?

I'm not good at anything else. Maybe something academic, with lots of books.

In one or two sentences describe your drawing area.

Tiny chaos.


Do you play any musical instruments?

No.

If you could give one piece of advice to someone who wants to pursue drawing as a career what would it be?

Persistence is way more important than I ever would have guessed.

Who is your favorite artist?

Arthur Rackham and Quentin Blake. I can't decide!


Thanks again Eric.